![]() Patricia's boys haven't been to school in a few days, and Anna checks in on them, finding them locked in a closet with a protective sigil painted on the door. Linda Cardellini plays Anna, a widowed mom and CPS investigator whose job takes her to the home of Patricia Alvarez ( Patricia Velasquez). Tony Amendola's Father Perez shows up for a hot minute, reminisces about a doll, we get a black-and-white flashback to Annabelle, and BOOM, you've got yourself a Conjuring movie. No, The Curse of La Llorona is set in 1973 merely so we can have one throwaway scene connecting this film to the Conjuring universe in the most perfunctory way possible. ![]() There's no real thematic reason for it, and it's so stylistically bland as to take minimal advantage of such an aesthetically interesting decade. ![]() We jump forward 300 years to Los Angeles in 1973, and you might be asking yourself why this movie is set in the '70s. It's also the last time The Curse of La Llorona works on almost any level. ![]() The film introduces us to the Latin American legend, in which a scorned woman drowns her children in a river and then becomes overtaken by grief and guilt. The Curse of La Llorona opens in Mexico in 1673, as we meet the weeping woman of the title in her, shall we say, better days.
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